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	<title>jonnybixbongers.xyz</title>
	<link>https://jonnybixbongers.xyz</link>
	<description>jonnybixbongers.xyz</description>
	<pubDate>Wed, 15 Apr 2026 12:47:45 +0000</pubDate>
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		<title>Reclaiming Data Home</title>
				
		<link>https://jonnybixbongers.xyz/Reclaiming-Data-Home</link>

		<pubDate>Wed, 15 Apr 2026 12:47:45 +0000</pubDate>

		<dc:creator>jonnybixbongers.xyz</dc:creator>

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	Reclaiming DataSymposium and Exhibition12–13 June 2026

Reclaiming Data is a symposium and exhibition that brings together artists, researchers, students, and cultural institutions to explore how artificial intelligence, digital archives, and data infrastructures are transforming collective memory. Across two days, the program moves between keynote, screening, workshops, panel discussions, performance, and exhibition, creating a space in which artistic, theoretical, and institutional perspectives can meet.
more
New Practice / Design &#38;amp; Computation (TU Berlin / UdK Berlin) and Flutgraben Berlin&#38;nbsp;

	06/2026

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		<title>Attention is All I Need </title>
				
		<link>https://jonnybixbongers.xyz/Attention-is-All-I-Need</link>

		<pubDate>Wed, 17 Sep 2025 13:11:49 +0000</pubDate>

		<dc:creator>jonnybixbongers.xyz</dc:creator>

		<guid isPermaLink="true">https://jonnybixbongers.xyz/Attention-is-All-I-Need</guid>

		<description>
	Attention is All I Need
Online Exhibition&#38;nbsp;

&#38;nbsp;In the digital age, the self becomes a curatorial practice: we stage, edit, and present our identities, shaping avatars, social media profiles, and digital personas. 

The exhibition ATTENTION IS ALL I NEED explores how digital self-representation transforms into an artistic practice. A diverse group of media artists examines the tension between individual autonomy and algorithmic control: What freedoms does the digital self offer? What constraints arise from the mechanics of visibility? Through a fusion of deepfakes, 3D avatars, and social media performances, the exhibition investigates how technology shapes identity—oscillating between playful reinvention and capitalist determinism.
more
HEK Basel x OnCurating

	05/2025


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&#38;nbsp;</description>
		
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	<item>
		<title>Realtime Affairs </title>
				
		<link>https://jonnybixbongers.xyz/Realtime-Affairs</link>

		<pubDate>Thu, 04 Jul 2024 15:52:24 +0000</pubDate>

		<dc:creator>jonnybixbongers.xyz</dc:creator>

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		<description>
	Realtime Affairs
Event Series&#38;nbsp;The REALTIME AFFAIRS event series is a regular meet-up for artists, designers, and interested audiences who are passionate about audiovisual performances and immersive experiences. The aim is to present formats on the interdisciplinary border of performing arts, gaming, and media art. The format initiated by DOCKDigital, in collaboration with the Berlin University of the Arts, is intended to function as a regular meeting point, hosting discussion formats, try-out presentations and panels. Our goal is to create a vibrant space for sharing ideas, supporting each other and exploring novel approaches.Link
DOCKdigital
	01/2024

&#60;img width="1080" height="719" width_o="1080" height_o="719" data-src="https://freight.cargo.site/t/original/i/bfc67fc472e9dcf74b8b0cd49df859eed648ab7670f17f0e1d66ab29d045aac6/EOSR3148-1.png" data-mid="214124112" border="0"  src="https://freight.cargo.site/w/1000/i/bfc67fc472e9dcf74b8b0cd49df859eed648ab7670f17f0e1d66ab29d045aac6/EOSR3148-1.png" /&#62;
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	<item>
		<title>Page 1 copy</title>
				
		<link>https://jonnybixbongers.xyz/Page-1-copy</link>

		<pubDate>Tue, 18 Jul 2023 14:25:33 +0000</pubDate>

		<dc:creator>jonnybixbongers.xyz</dc:creator>

		<guid isPermaLink="true">https://jonnybixbongers.xyz/Page-1-copy</guid>

		<description>
	

	
		
		
	
	
		
			
				
					O cea n fli g htAudio Visual Performance&#38;nbsp;

The performance questions how we present ourselves in the digital realm, exploring avatars
and metaverses as essential aspects of our future society. This piece uses digital media to
foster self-expression and community formation, departing from traditional forms of
representation. Drawing on Gilbert Simondon's theory of transindividualims,&#38;nbsp; “O cea n fli g ht
“ combines motion tracking and gaming software to create an interconnected dance
performance. The transdiciplinary team invites viewers to reflect on the transformative power
of digital self-expression and its impact on our identities.

				
			
		
	

more







Ars Electronica, 2023
B3 Biennale 2023
UdK, 2023

	03/2023
&#60;img width="4983" height="3219" width_o="4983" height_o="3219" data-src="https://freight.cargo.site/t/original/i/1badae70e2629f61d7dfcfbfbca452b6d6ae47a0c6761f1da10be860b3819a2e/DSC02018-2.jpg" data-mid="252333154" border="0"  src="https://freight.cargo.site/w/1000/i/1badae70e2629f61d7dfcfbfbca452b6d6ae47a0c6761f1da10be860b3819a2e/DSC02018-2.jpg" /&#62;
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</description>
		
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	<item>
		<title>Page 1</title>
				
		<link>https://jonnybixbongers.xyz/Page-1</link>

		<pubDate>Thu, 23 Jun 2022 17:17:00 +0000</pubDate>

		<dc:creator>jonnybixbongers.xyz</dc:creator>

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		<description>
	Boutique 2XXXInteractive AR installation


"A thing becomes a luxury because it is experienced by a person in a certain way. Luxury is therefore always something for someone - and for someone for whom the possession of a thing is connected with a special kind of experience". (Lambert Wiesing) 



















The
interactive installation enables participants to design individual and critical
visions of the future of luxury and subsequently create a space for reflection
and discourse in the form of a mixed reality design process. 



The
installation is an iteration of an ongoing research project within the Design
&#38;amp; Computation Master’s program that deals with the question of how emergent
technologies can help debate socially relevant issues in a hands-on approach
through interaction and visualization.
more







Ars Electronica, 2022
UdK, 2022


	
01/2022

&#60;img width="1920" height="1281" width_o="1920" height_o="1281" data-src="https://freight.cargo.site/t/original/i/61fe70978924f5937860e4b998d02b41e2811fa9ec7ba666d1e23200c3940dd5/2U9A8342.png" data-mid="158720457" border="0"  src="https://freight.cargo.site/w/1000/i/61fe70978924f5937860e4b998d02b41e2811fa9ec7ba666d1e23200c3940dd5/2U9A8342.png" /&#62;
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	</item>
		
		
	<item>
		<title>Weak Signals </title>
				
		<link>https://jonnybixbongers.xyz/Weak-Signals</link>

		<pubDate>Thu, 04 Jul 2024 16:25:53 +0000</pubDate>

		<dc:creator>jonnybixbongers.xyz</dc:creator>

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		<description>
	Weak Signals - New Narratives in Art and TechnologyGlossary contribution Art and technology know lots of tricks. They can spot little sings in different parts of society. These weak signals might show us new trends or big changes coming. They enable us to consider the unknown future not as a threat, but as a resource for new narratives.This little pocket book, edited by Lukas Feireiss and Florian Hadler and designed by Studio Yukiko, playfully identifies some of these "Weak Signals". As a glossary of new terminologies and neologisms, it curates, archives, copies, combines and compiles ideas, texts and images using a cut-up technique. It brings together human-written and AI-generated texts in a flat hierarchical manner and provides a vast array of hyperlinks that form an intricate web of endless references.Link


	05/2023


&#60;img width="4320" height="2876" width_o="4320" height_o="2876" data-src="https://freight.cargo.site/t/original/i/0587ad36df25e88c8fb5027ae6727633b53f539fca080bd3ae5db5c1093e4c28/99cceffde5-2-1.png" data-mid="214124329" border="0"  src="https://freight.cargo.site/w/1000/i/0587ad36df25e88c8fb5027ae6727633b53f539fca080bd3ae5db5c1093e4c28/99cceffde5-2-1.png" /&#62;
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	<item>
		<title>A Psalm for a Body-Build </title>
				
		<link>https://jonnybixbongers.xyz/A-Psalm-for-a-Body-Build</link>

		<pubDate>Thu, 23 Jun 2022 17:17:00 +0000</pubDate>

		<dc:creator>jonnybixbongers.xyz</dc:creator>

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		<description>
	A Psalm For a Body Build
VR Installation&#38;nbsp;

"One is not born, but rather becomes, a body." (Legacy Russell)Bridging diverse theoretical underpinnings with an artistic practice, the presented interactive virtual reality installation „A psalm for the body-built“ (by Berkay Soykan and Jonny-Bix Bongers, collaborators Janne Nora Kummer and Wro Wrzesińska) is a first attempt at creating the critical space for bodybuilding whichinvestigates what it means to have, and to become, a body in a technologically mediated environment. Inspired by readings in cyberfeminism, queer theory,philosophy and game studies, these operations function as interventions into the subject's own bodily perception and encourage them to explore their bodies' (im)materiality, virtual manifestations, potentialities and becomings.Transmediale/CTM, Vorspiel, 2023
Ars Electronica, 2022
UdK, 2022

	
02/2022

&#60;img width="1080" height="719" width_o="1080" height_o="719" data-src="https://freight.cargo.site/t/original/i/9edee875e5f04489361a6e321b559ce103742ea6c78ee9d17971898003495a1f/Frame-11.jpg" data-mid="185417549" border="0"  src="https://freight.cargo.site/w/1000/i/9edee875e5f04489361a6e321b559ce103742ea6c78ee9d17971898003495a1f/Frame-11.jpg" /&#62;
&#60;img width="1080" height="719" width_o="1080" height_o="719" data-src="https://freight.cargo.site/t/original/i/386bf026083ac089cf8ed284861c4eae3ab92b9818044e26ce363b96ea33a8ee/Frame-12.jpg" data-mid="185417633" border="0"  src="https://freight.cargo.site/w/1000/i/386bf026083ac089cf8ed284861c4eae3ab92b9818044e26ce363b96ea33a8ee/Frame-12.jpg" /&#62;
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		<title>Page 3</title>
				
		<link>https://jonnybixbongers.xyz/Page-3</link>

		<pubDate>Thu, 23 Jun 2022 17:17:00 +0000</pubDate>

		<dc:creator>jonnybixbongers.xyz</dc:creator>

		<guid isPermaLink="true">https://jonnybixbongers.xyz/Page-3</guid>

		<description>
	The Artist is Unpresent
Video Installation&#38;nbsp;

The projects aims to reframe Marina Abramovic's famous performance in an
CGI reenactment, focusing on the role of art in an increasingly digitalised
world. Physical presence in digital space no longer exists: Virtual objects are
merely references to existing entities. The digital turn is thus not only
followed by the question of materiality, but also whether the role of artists
in general needs to be renegotiated.



In 2010, Marina Abramovic shows the performance
"The Artist is Present" at MOMA. On two chairs facing each other, she
invites museum visitors to hold her gaze for an indefinite period of time. The
work questions the relationship between the artist and her audience.
Abramovic's presence becomes a resistant rebellion against the voyeuristic view
of art by putting herself and her presence on display.



In 2022, "The Artist Is Unpresent" tries to
update the performance and questions it with regard to digital art.



What is left live for art when every interaction
becomes data?
UdK, 2022

	03/2022
&#60;img width="1080" height="719" width_o="1080" height_o="719" data-src="https://freight.cargo.site/t/original/i/3edb706959296e242eea07d16aaa4d0720ebb302c77a37c18ad1052d779f81d8/photo_2022-11-11-10.41.43.jpeg" data-mid="158722392" border="0"  src="https://freight.cargo.site/w/1000/i/3edb706959296e242eea07d16aaa4d0720ebb302c77a37c18ad1052d779f81d8/photo_2022-11-11-10.41.43.jpeg" /&#62;
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	<item>
		<title>Page 4</title>
				
		<link>https://jonnybixbongers.xyz/Page-4</link>

		<pubDate>Thu, 23 Jun 2022 17:17:00 +0000</pubDate>

		<dc:creator>jonnybixbongers.xyz</dc:creator>

		<guid isPermaLink="true">https://jonnybixbongers.xyz/Page-4</guid>

		<description>
	Werther’s Quest For Love&#38;nbsp;
Performance&#38;nbsp;

In his letters, the young Werther tells of the fears that accompany him, thus allowing us to glimpse into his world of sensations and reveries. He seems to be searching for a coherent identity, yet everywhere he encounters only normative expectations. He resists and searches for alternative narratives of masculinity. Via live-streaming portals he shows himself the way he wants to show himself. Undefined and multifaceted. Unlike in Goethe's epistolary novel, Werther today does not reveal himself to a pen pal, but rather sells his innermost self in the currents and eddies of the Internet of so-called social media. 
Münchner Kammerspiele, 2019&#38;nbsp;

	
01/2019

&#60;img width="3307" height="2204" width_o="3307" height_o="2204" data-src="https://freight.cargo.site/t/original/i/52907bb448565debeb8c56e148c79dafd07045cf9d0e7795fb76e545a41288c4/WerthersQuest_MK_Programmheft_A4_JudithBuss_MG2_8066.jpg" data-mid="159252575" border="0"  src="https://freight.cargo.site/w/1000/i/52907bb448565debeb8c56e148c79dafd07045cf9d0e7795fb76e545a41288c4/WerthersQuest_MK_Programmheft_A4_JudithBuss_MG2_8066.jpg" /&#62;
&#60;img width="3307" height="2205" width_o="3307" height_o="2205" data-src="https://freight.cargo.site/t/original/i/959ad30a83a53971f47040565808b4ba52744d432b68dedec85c0be266dd369d/WerthersQuest_MK_Programmheft_A4_JudithBuss_MG2_7982.jpg" data-mid="159252551" border="0"  src="https://freight.cargo.site/w/1000/i/959ad30a83a53971f47040565808b4ba52744d432b68dedec85c0be266dd369d/WerthersQuest_MK_Programmheft_A4_JudithBuss_MG2_7982.jpg" /&#62;
&#60;img width="3307" height="2205" width_o="3307" height_o="2205" data-src="https://freight.cargo.site/t/original/i/be286ab60d674ae1a4d42e548e8b7610f67300d7391767da1f394845580017f4/WerthersQuest_MK_Programmheft_A4_JudithBuss_MG2_8244.jpg" data-mid="159252576" border="0"  src="https://freight.cargo.site/w/1000/i/be286ab60d674ae1a4d42e548e8b7610f67300d7391767da1f394845580017f4/WerthersQuest_MK_Programmheft_A4_JudithBuss_MG2_8244.jpg" /&#62;



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	<item>
		<title>Page 5</title>
				
		<link>https://jonnybixbongers.xyz/Page-5</link>

		<pubDate>Wed, 16 Nov 2022 17:51:28 +0000</pubDate>

		<dc:creator>jonnybixbongers.xyz</dc:creator>

		<guid isPermaLink="true">https://jonnybixbongers.xyz/Page-5</guid>

		<description>
	K1 Kleiner Tempel der Befreiung 
	
	
Uschi Obermaier is considered one of the most famous protagonists of the 68 years. Her pictures stand like no others for free love and an individual life plan. Tempel1 attempts to interweave this culture of remembrance, the view of 1968 today with the person Uschi Obermaier and processes exclusive visual material and interviews of the icon into a walk-in installation.
Photos: Julian Baumann&#38;nbsp;
Münchner Kammerspiele, 2018&#38;nbsp;
	02/2018

&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/f3201732cc1d2954442ce33fd0e188fd12838ffe600b7c3b94d74a717fbceb62/KAMMERSPIELE_1968_03_1144.jpg" data-mid="159278824" border="0"  src="https://freight.cargo.site/w/1000/i/f3201732cc1d2954442ce33fd0e188fd12838ffe600b7c3b94d74a717fbceb62/KAMMERSPIELE_1968_03_1144.jpg" /&#62;
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&#60;img width="5019" height="3764" width_o="5019" height_o="3764" data-src="https://freight.cargo.site/t/original/i/a1012d9832d81d0f0a0e3392e4e01d4eb1db177ebc4e778fb25fe8d596a1653a/KAMMERSPIELE_1968_03_1126.jpg" data-mid="159278823" border="0"  src="https://freight.cargo.site/w/1000/i/a1012d9832d81d0f0a0e3392e4e01d4eb1db177ebc4e778fb25fe8d596a1653a/KAMMERSPIELE_1968_03_1126.jpg" /&#62;



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