Portfolio
Hi, I'm Jonny-Bix. I'm a Berlin-based curator, dramaturg, artist and researcher working across performance, AI and digital culture.
I create exhibitions, performances and public programmes that explore how new technologies shape the way we relate to one another, tell stories and imagine the future.
I'm interested in making complex technological and social questions tangible through artistic experiences that invite curiosity, conversation and new perspectives.
About

| year | institution | role |
|---|---|---|
| 2026–present | Folkwang University of the Arts / Berlin University of the Arts — Multisensory in Dialogue and Artistic Practice (MIDAP) | Research Associate; artistic research, open calls and cross-university teaching formats |
| 2023–present | Berlin School of Economics and Law (HWR Berlin) — Controlling Plus+ Institute | Research Associate and Lecturer; storytelling, organisational futures and digital transformation |
| 2023–present | REALTIME AFFAIRS / DOCKdigital, Berlin | Co-Founder and Co-Curator |
| 2026 | Reclaiming Data — Symposium and Exhibition, TU Berlin / UdK Berlin / Körber Foundation | Curator |
| 2026 | Phantom, you are not my kin! — Burg Hülshoff, Center for Literature | Concept and artistic development |
| 2025 | Attention Is All I Need — HEK Basel / OnCurating | Co-Curator |
| 2024 | Berlin City Futures — Transferale / silent green, Berlin | Concept and development of an immersive game |
| 2023 | Oceanflight — Ars Electronica / B3 Biennale Frankfurt | Concept, music and artistic development |
| 2022–2023 | Spielräume — Berliner Ensemble / Komische Oper Berlin | Dramaturgy for an augmented-reality walk |
| 2022–2023 | theatAR — GRIPS Theater Berlin | Dramaturgy and artistic research |
| 2022–2023 | Berlin University of the Arts — Innovation Künstlerische Lehre (InKüLe) | Research Associate for media didactics and digital teaching |
| 2022 | A Psalm for a Body-Build — Ars Electronica / UdK Berlin | Concept and development of a VR installation |
| 2022 | Boutique 2XXX — Ars Electronica / UdK Berlin | Concept and development of an interactive installation |
| 2021–2022 | Colliding Spaces — Berlin University of the Arts | Co-Curator |
| 2021 | Solar Punk X Bicycle — Goethe-Institut Bangalore / Sandbox Collective | Workshop concept and facilitation |
| 2020 | Tann or Who Owns the Forest? — Münchner Kammerspiele | Artistic research, concept and development |
| 2020 | Wo sind unsere Waffen? — Zentrum für Politische Schönheit | Co-Director |
| 2017–2019 | Münchner Kammerspiele | Assistant Director and Theatre Director |
| 2019 | Werther’s Quest for Love — Münchner Kammerspiele | Director |
| 2019 | These Teens Will Save the Future — Münchner Kammerspiele / Haus der Kunst | Music and Sound Design |
| 2019 | Theatertreffen in China — Goethe-Institut Beijing | Co-Director of an acting workshop |
| 2018 | Little Temple of Liberation — Münchner Kammerspiele | Concept and artistic development |